Shidai Shinkawa MIX / MASTERING 新川司大 日本語

Preparation Guide

Preparing Your Files

A few things to prepare so the mix goes smoothly. If anything is unclear, just ask.

01

Folder & File Names

Name your folder and files in Latin letters, including the song title, the BPM and your X handle. This avoids garbled characters and keeps files easy to identify.

Example

Title : Kokoro1234
BPM   : 120
ID     : @shidaiA9
Kokoro1234_BPM120_@shidaiA9
02

What to Include in the Zip

Audio

  • Individual tracks
    Watch out for near-identical file names. Numbering them at the start helps.
  • A demo mix
    A rough bounce is fine. I only use it to get a sense of the feel you are after, so there is no need to polish it.
  • MIDI or programmed melody data
    For songs with live vocals, this is sometimes needed as a reference for pitch correction. Having it ready speeds things up.
  • MIDI tempo track
    Only needed if the tempo changes during the song.

Text

  • Two or three reference songs (titles are enough, no links needed)
  • For live vocals, the key and any modulations
    Please be precise, e.g. "C major from bar 33".
  • Which plan you would like
  • Any automation you want reproduced — notes or screenshots are fine
  • Anything else you want me to know
03

Export Settings

Levels

Please export every track so that peaks sit around -6 to -9 dB.

Start Point

Leave 8 to 12 bars of silence before the first note.

End of the Song

Let cymbals, guitar sustain and similar tails ring out fully, and end the export after the sound has stopped. A fade-out is fine if you prefer.

04

Track Names

Name each track with what it is and its pan position (L1–100 / R1–100 / C). If you are happy to leave panning to me, you can skip the pan part.

Pickedbass-C Filteredbass-C Filteredbass_Layer1-C Guitarchord1-L80 Guitarchord2-R80 GuitarLead1-C FX_ReversePiano

Some parts are hard to label, but the more specific the name, the better.

05

Effects

Some effects are best bypassed before export, others can stay. Heavy distortion, and filters or volume written as automation, can all stay as they are.

Leave these on

  • Amp simulators
  • Reverb and delay used as part of the sound design
  • Volume and effects controlled by automation

Please bypass these

  • EQ, compression and the like
  • Reverb and delay used for ambience or room sound
    If there is a specific reverb or delay you want kept, export it as a separate send track.
06

Other Notes

Not sure how to prepare?

I can usually work with files that do not follow this exactly, so just ask.

Discord : shidaia9